A blues legend… as you’ve never heard him before
Monday, April 28th, 2008 02:36 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

There’s an article in today’s Times - more precisely in the Times 2 section of the paper that one or two of my friends may find interesting. I am thinking particularly of (in no particular order)
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A blues legend… as you’ve never heard him before John Clarke
Robert Johnson is widely considered the greatest of all the prewar blues singers. Before he died at the age of 27 in 1938 … he had cut tracks such as Kind Hearted Woman Blues, Ramblin’ on my Mind, Love in Vain and Hellbound on my Trail, which, through countless reissues, have gone on to influence a whiole generation of rock stars including Jimi Hendrix, Eric Clapton and Keith Richards…
Yet now it appears that none of us is hearing Johnson the way he actually sounded. Blues fans in Japan apparently think Johnson’s recordings are playing too fast. Slow down the recordings by 20% and … you hear the music transformed, “a man whose words are not half-swallowed, garbled or strangled, but clearly delivered, beautifully modulated; whose performances are not fleeting, harried or fragmented, but paced with a sense of space and drama that drew an audience in until people wept as they stood in the street around him”.
If we are to accept this claim, then every one of Johnson’s 12 78rpm records and all of the reissues since have been giving us a distorted view of the man Clapton claims was the world’s greatest blues singer.
…several other 78s recorded in the 1930s have been slowed down … to obtain the correct pitch at which they were cut.
But for blues fans brought up with the Johnson records, this is almost heresy. Why didn’t any of the musicians who knew Johnson … ever mention it, and why should every one of (his) records … have been speeded up?
Samples of the music slowed down can be found here: www.touched.co.uk/press/rjnote.html and you can buy a CD of 24 reduced-speed Johnson tracks.
(no subject)
Date: 2008-04-28 01:57 pm (UTC)Who knows, there's probably not anyway of proving it conclusively.
(no subject)
Date: 2008-04-28 07:31 pm (UTC)* Speeding up a recording at the mastering stage is common practice, to make the thing sound a bit more energetic, and the singer sound "younger". A blatant example was on a Rod Stewart single ten years ago or more, on which the band's backing track was sped up a fourth or fifth (so if it was played in Cmaj, it was now in Fmaj or Gmaj) for Rod to sing over. Several radio DJs popped the single on the turntable, on the air, and thought they'd accidentally switched the speed to 78rpm.
* None of R Johnson's surviving contemporaries (Johnny Shines, David Honeyboy Edwards, Robert Junior Lockwood, Son House) ever said anything about those recordings sounding sped-up, his or their own. It's a lot of bollocks. The poor bugger's music has been messed with quite enough. They should leave him alone.
(no subject)
Date: 2008-04-28 07:39 pm (UTC)(no subject)
Date: 2008-04-28 08:54 pm (UTC)BTW, if you have Ram Jam's "Black Betty" on 45, try it at 33 - the riff sounds amazing.
(no subject)
Date: 2008-04-29 09:49 am (UTC)yeah i think this is entirely likely. this is exciting news for people who love actual black music, as opposed to eric clapton.